Sävellyksen tietopankki

Sävellyksen tietopankki

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75.

Improvisation in the style of Webern

Create an improvised piece using extremely few elements, drawing on Anton Webern’s ‘Three Little Pieces for cello and piano’ op. 11/3. The extended version of the assignment consists of planning and creating a three-movement work in the style of Webern in pairs or small groups.

Assignment author
Esa Ylivaara

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Basics

Skill level
Advanced level
Introductory level
Medium level
Specialised level
Group size
Individual tuition
Large group
Small group (2 to 8)
Minimum time required
1 lessons
2 lessons
One month

Goal and output

Pedagogical goal

Introduction to the style of Webern.

Improvising on the basis of as few elements as possible, with concentration and intense listening.

Concrete output

A brief, unplanned improvised piece or a longer, planned three-movement improvised piece.

Preparation

Have the students familiarise themselves in advance with Anton Webern's 'Three Little Pieces for cello and piano' op. 11.

Instruct them to listen to the piece with the score, to think about what is going on in the music and to make observations on the structure, pitches, gestures, harmonies, moods – or anything at all, really.

Work progress

- Have every participant think up three different elements or things that they can play. An element may be a single tone, a chord or a brief figure, and it must be based on a specific tonal colour or technique (pizzicato, sul tasto, muted tone, etc.). Always specify the dynamics.

- When the piece begins, everyone is to play the elements/things that they have thought up, but not all at once. Instead, everyone should listen to everyone else. Each element must only be played once.

- The piece ends when everyone has played their three elements.

- You may experiment with the piece occupying different lengths of time. You may agree in advance that the piece should last about one minute. Then play it again, but now with a duration of only 10 seconds.

Variant: Points
- Everyone has three 'points' available. Each of them can only be used once. A 'point' here is a single tone that can be of any length and played using any dynamic and any technique. In other respects, follow the instructions above.

Extended version: Planned improvised piece
- Split the group up into small groups of 2 or 3 students and send them into different rooms.

- Plan a three-movement work in the style of Webern, the indicative total duration being about 2 minutes.

- Use Webern's op. 11 as a model. Its movements have differing characters.

- It is not necessary to notate the piece, but you can make notes.

- Allow no more than 20 minutes for the planning; then have the small groups perform their creations for everyone else.

Topics in the assignment

Musical elements
Form; dramaturgy of music
Harmony; chords
Melody
Rhythm
Tonal colour; extended playing techniques
Musical structures and analysis
Analysis
Dynamics; articulation
Intervals
Octaves, registers
Scales, keys
Texture
Playing an instrument & singing
Ensemble playing
Extended playing techniques
Interpretation
Playing by ear
Sight-reading; solfège
Solo/Tutti
Using one's own voice; singing
Listening
Active listening
Reference works
Notation & music terminology
Graphic notation
Music terminology
Score
Traditional notation
Arranging & parts
Arranging
Instrumentation; orchestration
Parts
Music technology
Music technology; music technology
Improvisation & interaction
Cooperation
Following sound and movement
Improvisation; soundscape
Reaction; taking turns
Styles & techniques
Aleatorics
Concrete music
Counterpoint
Field technique
Imitation
Minimalism
Pointillism
Polyphony
Imagination & other arts
Dance; movement
Mood; imagination
Music theatre
Narrative composition
Photo; image
Text

Tools

Classroom instruments
Computer, tablet or smartphone
Keyboard
Music paper
Music technology
Notation software
Own instrument
Own voice
Percussion instruments
Photographs; images
Recordings or sheet music
Sequencer software
Stationery for taking notes
TV, computer screen or video projector

Further assignments

Assignment suitable for further study

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Other similar assignments
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Info

The Opus 1 composition pedagogy databank, maintained by the Society of Finnish Composers, is a gateway to the wide world of musical composition. It offers all teachers and institutions providing music education an inspiring perspective on introductory composition teaching, including a wide range of composition assignments particularly suited to teaching at music institutes, whether in large or small groups or as individual tuition.

This package was designed and delivered by a working group of specialists in composition and composition pedagogy. The project was supported financially by the Foundation for Finnish Art Music.
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Contact information

Please contact us if you want to know more: opus1@composers.fi

© The authors
Design: Farm / Antti Kangassalo
Code: Call to Action
Photos: Markku Klami
English translation: Jaakko Mäntyjärvi

Skill levels

  • Introductory level
  • Medium level
  • Advanced level
  • Specialised level

The basics

  • Listening
  • Imagination & other arts
  • Musical elements
  • Musical structures and analysis
  • Music technology
  • Notation & music terminology
  • Playing an instrument & singing
  • Styles & techniques
  • Interaction & cooperation
  • Arrangements & parts
  • ALL ASSIGNMENTS