Sävellyksen tietopankki

Sävellyksen tietopankki

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52.

Notation and imitation of the world around you 1

Pay attention to various sounds in your environment that you do not usually listen to. Create a composition based on these sounds, write it down using graphic notation and perform it.

Assignment author
Marko Alastalo

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Basics

Skill level
Advanced level
Introductory level
Medium level
Specialised level
Group size
Individual tuition
Large group
Small group (2 to 8)
Minimum time required
1 lessons
2 lessons
One month

Goal and output

Pedagogical goal

Analytical listening to ambient sounds and imitating them in terms of tonal colour, dynamics, playing techniques, rhythm and texture.

Practising graphic notation.

Concrete output

A composition created based on the ambient sound world, notated in graphic notation and performed.

Preparation

4'33" by John Cage may serve as an introduction to this exercise.

Work progress

• Have the students listen intently, focusing on sounds which are around us all the time but to which we normally do not pay attention (the hum of air conditioning, chair creaks, coughs, sounds from outside, etc.). Make notes of what you hear.

• Analyse the features of the sounds you hear with the students and think about how they could be imitated with the students' own voices or instruments (e.g. extended playing techniques on conventional instruments, unconventional instruments). Pay particular attention to tonal colour, dynamics, playing techniques, texture and rhythm, but – depending on the sound world – considering pitch, register, ensemble and harmony may also be interesting.

• Based on the discussion, create a composition imitating ambient sounds with the students' own voices and/or instruments and write it down using graphic notation.

• Perform the completed composition.

Topics in the assignment

Musical elements
Form; dramaturgy of music
Harmony; chords
Melody
Rhythm
Tonal colour; extended playing techniques
Musical structures and analysis
Analysis
Dynamics; articulation
Intervals
Octaves, registers
Scales, keys
Texture
Playing an instrument & singing
Ensemble playing
Extended playing techniques
Interpretation
Playing by ear
Sight-reading; solfège
Solo/Tutti
Using one's own voice; singing
Listening
Active listening
Reference works
Notation & music terminology
Graphic notation
Music terminology
Score
Traditional notation
Arranging & parts
Arranging
Instrumentation; orchestration
Parts
Music technology
Music technology; music technology
Improvisation & interaction
Cooperation
Following sound and movement
Improvisation; soundscape
Reaction; taking turns
Styles & techniques
Aleatorics
Concrete music
Counterpoint
Field technique
Imitation
Minimalism
Pointillism
Polyphony
Imagination & other arts
Dance; movement
Mood; imagination
Music theatre
Narrative composition
Photo; image
Text

Tools

Classroom instruments
Computer, tablet or smartphone
Keyboard
Music paper
Music technology
Notation software
Own instrument
Own voice
Percussion instruments
Photographs; images
Recordings or sheet music
Sequencer software
Stationery for taking notes
TV, computer screen or video projector

Detailed description of tools

In addition to own voices and conventional instruments, you may use unconventional instruments.

Remarks

Suitable for both individual students and groups.

This assignment can follow on for instance from the assignment 15. Graphic notation: Introduction.

Further assignments

Assignment suitable for further study

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Info

The Opus 1 composition pedagogy databank, maintained by the Society of Finnish Composers, is a gateway to the wide world of musical composition. It offers all teachers and institutions providing music education an inspiring perspective on introductory composition teaching, including a wide range of composition assignments particularly suited to teaching at music institutes, whether in large or small groups or as individual tuition.

This package was designed and delivered by a working group of specialists in composition and composition pedagogy. The project was supported financially by the Foundation for Finnish Art Music.
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Contact information

Please contact us if you want to know more: opus1@composers.fi

© The authors
Design: Farm / Antti Kangassalo
Code: Call to Action
Photos: Markku Klami
English translation: Jaakko Mäntyjärvi

Skill levels

  • Introductory level
  • Medium level
  • Advanced level
  • Specialised level

The basics

  • Listening
  • Imagination & other arts
  • Musical elements
  • Musical structures and analysis
  • Music technology
  • Notation & music terminology
  • Playing an instrument & singing
  • Styles & techniques
  • Interaction & cooperation
  • Arrangements & parts
  • ALL ASSIGNMENTS