Sävellyksen tietopankki

Sävellyksen tietopankki

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49.

Vocal melody improvised over a chord loop

Improvise a vocal melody using a prewritten text and a predetermined chord loop. This works best as a group activity but is also suitable for individual teaching.

Assignment author
Marko Alastalo

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Basics

Skill level
Advanced level
Introductory level
Medium level
Specialised level
Group size
Individual tuition
Large group
Small group (2 to 8)
Minimum time required
1 lessons
2 lessons
One month

Goal and output

Pedagogical goal

Practising how to build a melody based on a text and a chord loop.

Examining and understanding the relationships between various musical elements.

Notating the melody (if desired).

Concrete output

An improvised vocal melody that may be subsequently notated.

Preparation

Have the students write a poem (or other lyric) beforehand or to select a suitable text. The text to be used may also be provided by the teacher.

Select the chord loop to be used before the class, or design the chord loop together with the students.

Work progress

• Play the chord loop on a piano or other suitable instrument. As you repeat the chord loop, the students should start singing on notes that fit the chord loop: first long notes belonging to the chords, then more complicated improvised melodic figures and patterns.

• Once the students have become comfortable with the harmonic environment, have them begin to fit the selected text to their melodic ideas. Continue until the students have settled on a vocal melody for the text.

• You may have one student perform their improvised melody for the others while you continue to play the chord loop. The others may accompany the melody by singing long notes along with the harmony.

• At the end, the improvised vocal melody may be written down.

Topics in the assignment

Musical elements
Form; dramaturgy of music
Harmony; chords
Melody
Rhythm
Tonal colour; extended playing techniques
Musical structures and analysis
Analysis
Dynamics; articulation
Intervals
Octaves, registers
Scales, keys
Texture
Playing an instrument & singing
Ensemble playing
Extended playing techniques
Interpretation
Playing by ear
Sight-reading; solfège
Solo/Tutti
Using one's own voice; singing
Listening
Active listening
Reference works
Notation & music terminology
Graphic notation
Music terminology
Score
Traditional notation
Arranging & parts
Arranging
Instrumentation; orchestration
Parts
Music technology
Music technology; music technology
Improvisation & interaction
Cooperation
Following sound and movement
Improvisation; soundscape
Reaction; taking turns
Styles & techniques
Aleatorics
Concrete music
Counterpoint
Field technique
Imitation
Minimalism
Pointillism
Polyphony
Imagination & other arts
Dance; movement
Mood; imagination
Music theatre
Narrative composition
Photo; image
Text

Tools

Classroom instruments
Computer, tablet or smartphone
Keyboard
Music paper
Music technology
Notation software
Own instrument
Own voice
Percussion instruments
Photographs; images
Recordings or sheet music
Sequencer software
Stationery for taking notes
TV, computer screen or video projector

Detailed description of tools

Piano or other suitable instrument. Notation aids are needed if the students are required to write the lyrics themselves. Music paper is needed if the improvised melody is to be written down.

Remarks

In many cases, students will find it easier to improvise if they are allowed to move around freely in the space at the same time.

Further assignments

Assignment suitable for further study

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Other similar assignments
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Info

The Opus 1 composition pedagogy databank, maintained by the Society of Finnish Composers, is a gateway to the wide world of musical composition. It offers all teachers and institutions providing music education an inspiring perspective on introductory composition teaching, including a wide range of composition assignments particularly suited to teaching at music institutes, whether in large or small groups or as individual tuition.

This package was designed and delivered by a working group of specialists in composition and composition pedagogy. The project was supported financially by the Foundation for Finnish Art Music.
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Contact information

Please contact us if you want to know more: opus1@composers.fi

© The authors
Design: Farm / Antti Kangassalo
Code: Call to Action
Photos: Markku Klami
English translation: Jaakko Mäntyjärvi

Skill levels

  • Introductory level
  • Medium level
  • Advanced level
  • Specialised level

The basics

  • Listening
  • Imagination & other arts
  • Musical elements
  • Musical structures and analysis
  • Music technology
  • Notation & music terminology
  • Playing an instrument & singing
  • Styles & techniques
  • Interaction & cooperation
  • Arrangements & parts
  • ALL ASSIGNMENTS