Sävellyksen tietopankki

Sävellyksen tietopankki

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47.

Mind map composition

A hilarious mind map composition exercise on a pre-agreed topic.

Assignment author
Minna Leinonen

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Basics

Skill level
Advanced level
Introductory level
Medium level
Specialised level
Group size
Individual tuition
Large group
Small group (2 to 8)
Minimum time required
1 lessons
2 lessons
One month

Goal and output

Pedagogical goal

Composing on the basis of mental images and moods.

Notating, playing by ear, analysing form, improvising and imitating.

This exercise can be used for teaching the concept 'sequence'.

Concrete output

A composition in multiple sections with varying moods.

Preparation

If the group is particularly timid, they can be prepped for instance with an assignment combining movement and sound, working in pairs (the preparatory exercise in assignment 48. From movement expression to graphic notation) or assignment 21. Soundscape for an existing story.

Work progress

• Select or invent a shared topic in the group, e.g. seasons, fantasy characters or the elements (earth, air, fire, water).

• Collaborate to produce a mind map on the topic. What mental images does the topic suggest? Select images that could be used as the subject of a section of a piece of music.

• Divide the group into smaller groups (3 to 5 students per group) and assign each small group a portion of the mind map to set to music.

• Have each small group make their own mind map of their area and to try out using instruments what their ideas/images could sound like. Members of the small group should imitate and copy the ideas presented. Ideas can be improvised on the basis of varying tonal colour, melody, rhythm and harmonic movement.

• Have the small groups document the motifs they come up with, using mixed techniques (drawing, writing, music notation).

• Have the small groups plan a form for their section, play the music and work out the details.

• Have the small groups each perform their motifs or sections for the entire group and discuss.

• Ideas from various small groups can be taken up for incorporation in the tutti version, with imitation at different transpositions, etc., and further development. This is a good context for teaching the students the concept of 'sequence'.

• Some motifs may be extended to be played/sung by the entire group.

• Collate the sections into a complete score including tutti sections, solos and small group sections. Add dynamics and musical terms (e.g. character indications and tempo markings).

• Perform the piece.

Topics in the assignment

Musical elements
Form; dramaturgy of music
Harmony; chords
Melody
Rhythm
Tonal colour; extended playing techniques
Musical structures and analysis
Analysis
Dynamics; articulation
Intervals
Octaves, registers
Scales, keys
Texture
Playing an instrument & singing
Ensemble playing
Extended playing techniques
Interpretation
Playing by ear
Sight-reading; solfège
Solo/Tutti
Using one's own voice; singing
Listening
Active listening
Reference works
Notation & music terminology
Graphic notation
Music terminology
Score
Traditional notation
Arranging & parts
Arranging
Instrumentation; orchestration
Parts
Music technology
Music technology; music technology
Improvisation & interaction
Cooperation
Following sound and movement
Improvisation; soundscape
Reaction; taking turns
Styles & techniques
Aleatorics
Concrete music
Counterpoint
Field technique
Imitation
Minimalism
Pointillism
Polyphony
Imagination & other arts
Dance; movement
Mood; imagination
Music theatre
Narrative composition
Photo; image
Text

Tools

Classroom instruments
Computer, tablet or smartphone
Keyboard
Music paper
Music technology
Notation software
Own instrument
Own voice
Percussion instruments
Photographs; images
Recordings or sheet music
Sequencer software
Stationery for taking notes
TV, computer screen or video projector

Detailed description of tools

Students' own instruments or voices – in the latter case, the piece is a choral work.

Further assignments

Assignment suitable for further study

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Other similar assignments
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Info

The Opus 1 composition pedagogy databank, maintained by the Society of Finnish Composers, is a gateway to the wide world of musical composition. It offers all teachers and institutions providing music education an inspiring perspective on introductory composition teaching, including a wide range of composition assignments particularly suited to teaching at music institutes, whether in large or small groups or as individual tuition.

This package was designed and delivered by a working group of specialists in composition and composition pedagogy. The project was supported financially by the Foundation for Finnish Art Music.
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Contact information

Please contact us if you want to know more: opus1@composers.fi

© The authors
Design: Farm / Antti Kangassalo
Code: Call to Action
Photos: Markku Klami
English translation: Jaakko Mäntyjärvi

Skill levels

  • Introductory level
  • Medium level
  • Advanced level
  • Specialised level

The basics

  • Listening
  • Imagination & other arts
  • Musical elements
  • Musical structures and analysis
  • Music technology
  • Notation & music terminology
  • Playing an instrument & singing
  • Styles & techniques
  • Interaction & cooperation
  • Arrangements & parts
  • ALL ASSIGNMENTS