Sävellyksen tietopankki

Sävellyksen tietopankki

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27.

Small assignment: Droplets and pointy music

An exciting exercise for creating pointy music that sounds like droplets while learning about the range of the students’s own instrument and of other instruments in the group.

Assignment author
Minna Leinonen

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Basics

Skill level
Advanced level
Introductory level
Medium level
Specialised level
Group size
Individual tuition
Large group
Small group (2 to 8)
Minimum time required
1 lessons
2 lessons
One month

Goal and output

Pedagogical goal

Further introduction to octaves, instrument knowledge and (for advanced students) score reading

Concrete output

A pointy composition

Work progress

- Explore the registers of students' own instruments or other instruments. Explore the ranges of the instruments in the group.

- Have the students work in pairs or individually to select 1 or 2 pitches in each register of the instrument that the students are able to play. These may form an existing or invented scale, or they may be selected so as to have an interesting interval relationship (spaced by thirds or fourths, for instance).

- Compose several motifs using these pitches. Any pitch can be repeated one or more times if desired.

- Consider the note values and create an interesting rhythm. Add dynamics, articulations and instrument techniques. You may have the students create a graphic score with points and lines spaced to illustrate the various registers.

- Play the droplet motifs and continue listening all the time.

- Decide which motif should start the piece and how the motif should be used. Should it be repeated, and at what level? Should it be varied or developed? Should it be used for a sequence, thereby adding to the number of pitches used?

- The resulting fragments may be performed separately, or they may be compiled into a joint piece that the entire group can then perform. Some droplet motifs may be overlapped or superimposed.

Topics in the assignment

Musical elements
Form; dramaturgy of music
Harmony; chords
Melody
Rhythm
Tonal colour; extended playing techniques
Musical structures and analysis
Analysis
Dynamics; articulation
Intervals
Octaves, registers
Scales, keys
Texture
Playing an instrument & singing
Ensemble playing
Extended playing techniques
Interpretation
Playing by ear
Sight-reading; solfège
Solo/Tutti
Using one's own voice; singing
Listening
Active listening
Reference works
Notation & music terminology
Graphic notation
Music terminology
Score
Traditional notation
Arranging & parts
Arranging
Instrumentation; orchestration
Parts
Music technology
Music technology; music technology
Improvisation & interaction
Cooperation
Following sound and movement
Improvisation; soundscape
Reaction; taking turns
Styles & techniques
Aleatorics
Concrete music
Counterpoint
Field technique
Imitation
Minimalism
Pointillism
Polyphony
Imagination & other arts
Dance; movement
Mood; imagination
Music theatre
Narrative composition
Photo; image
Text

Tools

Classroom instruments
Computer, tablet or smartphone
Keyboard
Music paper
Music technology
Notation software
Own instrument
Own voice
Percussion instruments
Photographs; images
Recordings or sheet music
Sequencer software
Stationery for taking notes
TV, computer screen or video projector

Remarks

This exercise can also be performed as an aleatoric dice-throwing composition exercise (see 66. Small assignment: Throw-the-dice composition). Write the selected pitches on pieces of paper, pick 3 to 8 pitches at random with the students working individually or in pairs, and determine the number of pitches to be used by throwing dice.

Additional material

Listening:

Anton Webern: Symphony op. 21. You may also study the score.

 

See also assignment 20. Small assignment: One-note composition.

Further assignments

Assignment suitable for further study

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Other similar assignments
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Info

The Opus 1 composition pedagogy databank is a gateway to the wide world of musical composition. It offers all teachers and institutions providing music education an inspiring perspective on introductory composition teaching, including a wide range of composition assignments particularly suited to teaching at music institutes, whether in large or small groups or as individual tuition.

This package was designed and delivered by a working group of specialists in composition and composition pedagogy. The project was supported financially by the Foundation for Finnish Art Music and the Society of Finnish Composers.
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Contact information

Please contact us if you want to know more or to submit your own assignments for inclusion: opus1@composers.fi

© The authors
Design: Farm / Antti Kangassalo
Code: Call to Action
Photos: Markku Klami
English translation: Jaakko Mäntyjärvi

Skill levels

  • Introductory level
  • Medium level
  • Advanced level
  • Specialised level

The basics

  • Listening
  • Imagination & other arts
  • Musical elements
  • Musical structures and analysis
  • Music technology
  • Notation & music terminology
  • Playing an instrument & singing
  • Styles & techniques
  • Interaction & cooperation
  • Arrangements & parts
  • ALL ASSIGNMENTS