Sävellyksen tietopankki

Sävellyksen tietopankki

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    • Imagination & other arts
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21.

Small assignment: Soundscape for an existing story

A simple assignment for instruments and/or voices. Useful for learning about soundscape creation and also as a preliminary exercise for creating one’s own narratives in music.

Assignment author
Minna Leinonen

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Basics

Skill level
Advanced level
Introductory level
Medium level
Specialised level
Group size
Individual tuition
Large group
Small group (2 to 8)
Minimum time required
1 lessons
2 lessons
One month

Goal and output

Pedagogical goal

Initial experiments in extended playing techniques, introduction to non-traditional notation

Concrete output

A soundscape based on an existing story, with a clear dramatic arc.

A performable score with mixed techniques: text, drawings, colours, textures and traditional music notation, e.g. rhythms, dynamics, articulations, harmonies and/or melodies.

Preparation

A useful preparatory exercise is performing a movement-and-sound improvisation with a partner as an introduction to graphic notation (see the assignment 48. From movement expression to graphic notation).

Work progress

- Run the assignment twice with the students using their voices or instruments. Have someone read the story out loud both times.

On the first pass, have everyone make music together, listening and reacting to each other all the time. On the second pass, have everyone make music with their eyes closed as far as possible and assign duties (solos, duos, small group solos, etc.) as you read out the story, for instance by touching students on the shoulder (first touch = solo begins; second touch = solo ends).

Story:
"I'm standing in a forest. The wind whistles in the trees.
Raindrops begin to fall on the ground.
It's raining more and more.
The rain increases, it turns into a storm.
I see a small cottage on top of a hill. I start climbing up the hill.
I run up the hill.
I get to the cottage. I open the creaking door.
I'm sitting in the cottage. The door slams open and shut in the rain.
The slams become louder.
The slams grow quiet.
The rain stops. I open the cottage door (creak).
I walk down the hill.
I run down the hill, quickly.
I listen to the humming of the wind.
The wind dies down.
It is calm."

- Create details in the musical illustration of the story by working through the individual elements (forest, wind, rain, etc.). Try out various ways of playing instruments or using voices to create the elements needed for the story. Use all instruments and voices to produce the effects..

- Agree on a rhythm for the slamming of the door.

- Agree on articulations, playing techniques / vocal techniques and harmonies to be used for the rain and the storm (e.g. pitches or intervals from a specific scale, or individual notes/clusters/staccatos/trills in specific registers, etc.).

- If the improvisation results in melodic ideas at various points in the story, try to recall them and play them together by ear, develop them further and write them down.

- Think about the dramaturgy of the piece. Where is everyone playing at once, and where could there be solos?

- Make a drawing of the piece on paper or on the board, using images, shapes, textures, rhythms or notes, and add dynamics, articulations, instrumentation.

- You can also divide the story up into sections and have small groups work on each one, then present their ideas to the entire group for putting the piece together. In this case, you may want to reserve two lessons for creating the piece.

- You may omit the spoken story from the final performance, because it is simply a tool for the composition process.

Topics in the assignment

Musical elements
Form; dramaturgy of music
Harmony; chords
Melody
Rhythm
Tonal colour; extended playing techniques
Musical structures and analysis
Analysis
Dynamics; articulation
Intervals
Octaves, registers
Scales, keys
Texture
Playing an instrument & singing
Ensemble playing
Extended playing techniques
Interpretation
Playing by ear
Sight-reading; solfège
Solo/Tutti
Using one's own voice; singing
Listening
Active listening
Reference works
Notation & music terminology
Graphic notation
Music terminology
Score
Traditional notation
Arranging & parts
Arranging
Instrumentation; orchestration
Parts
Music technology
Music technology; music technology
Improvisation & interaction
Cooperation
Following sound and movement
Improvisation; soundscape
Reaction; taking turns
Styles & techniques
Aleatorics
Concrete music
Counterpoint
Field technique
Imitation
Minimalism
Pointillism
Polyphony
Imagination & other arts
Dance; movement
Mood; imagination
Music theatre
Narrative composition
Photo; image
Text

Tools

Classroom instruments
Computer, tablet or smartphone
Keyboard
Music paper
Music technology
Notation software
Own instrument
Own voice
Percussion instruments
Photographs; images
Recordings or sheet music
Sequencer software
Stationery for taking notes
TV, computer screen or video projector

Detailed description of tools

You may begin by illustrating the story with voices only and then implement the ideas generated on the students' own instruments or on classroom instruments.

Remarks

After completing this assignment, you may invite students to come up with their own stories individually, in pairs, in small groups or as a whole group, and then draw it as an image or a graphic score.

The more details there are in the story, the more like a composition the soundscape will become.

Further assignments

Assignment suitable for further study

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Other similar assignments
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Info

The Opus 1 composition pedagogy databank, maintained by the Society of Finnish Composers, is a gateway to the wide world of musical composition. It offers all teachers and institutions providing music education an inspiring perspective on introductory composition teaching, including a wide range of composition assignments particularly suited to teaching at music institutes, whether in large or small groups or as individual tuition.

This package was designed and delivered by a working group of specialists in composition and composition pedagogy. The project was supported financially by the Foundation for Finnish Art Music.
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Contact information

Please contact us if you want to know more: opus1@composers.fi

© The authors
Design: Farm / Antti Kangassalo
Code: Call to Action
Photos: Markku Klami
English translation: Jaakko Mäntyjärvi

Skill levels

  • Introductory level
  • Medium level
  • Advanced level
  • Specialised level

The basics

  • Listening
  • Imagination & other arts
  • Musical elements
  • Musical structures and analysis
  • Music technology
  • Notation & music terminology
  • Playing an instrument & singing
  • Styles & techniques
  • Interaction & cooperation
  • Arrangements & parts
  • ALL ASSIGNMENTS