Sävellyksen tietopankki

Sävellyksen tietopankki

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45.

What I did on my holidays

Students write a few sentences describing what they did on their holidays. Then they are invited to create a piece of music on the basis of the text they wrote, and finally the piece is performed and recorded.

Assignment author
Sanna Ahvenjärvi

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Basics

Skill level
Advanced level
Introductory level
Medium level
Specialised level
Group size
Individual tuition
Large group
Small group (2 to 8)
Minimum time required
1 lessons
2 lessons
One month

Goal and output

Pedagogical goal

Learning how to write a text to set to music and then to devise a rhythm, melody, chords, second voice and bass line for the setting and write them down.

Each student can complete as many components of the assignment as they can, according to their skill level.

Concrete output

A musical composition describing the student's holiday

Work progress

• Instruct the students to write a description of what they did on their autumn/winter half-term holiday.

• Have the students devise a rhythm derived from the pacing of the words in their text (never mind any time signature for now). The students may edit their text as required. You may give students cue sheets with sample words for specific rhythms to help them fit rhythms to their texts.

• Next, have the students determine where the barlines should go and work out the time signatures. Following word rhythms may result in changing time signatures, e.g. 5/4, 5/8, 5/16, 3/8.

• Then instruct the students to create a melody following the rhythmic pattern, using a keyboard or their own instrument.

• The students may also devise a second part, for instance a vocal part. They may harmonise the melody and use the chords as the basis for devising a second part, accompaniment and bass line. A vocal second part may have a rhythm different from the principal melody and can be fitted with different words.

• You may add instruments played by other group members or classroom instruments to the arrangement.

• Each student should write out their piece, either by hand or using notation software, so that students will be able to perform each other's pieces.

• The pieces may be played through in class together and later performed at a concert. Record the performances and give a copy to the students. You may also add the recording to the students' portfolios.

Topics in the assignment

Musical elements
Form; dramaturgy of music
Harmony; chords
Melody
Rhythm
Tonal colour; extended playing techniques
Musical structures and analysis
Analysis
Dynamics; articulation
Intervals
Octaves, registers
Scales, keys
Texture
Playing an instrument & singing
Ensemble playing
Extended playing techniques
Interpretation
Playing by ear
Sight-reading; solfège
Solo/Tutti
Using one's own voice; singing
Listening
Active listening
Reference works
Notation & music terminology
Graphic notation
Music terminology
Score
Traditional notation
Arranging & parts
Arranging
Instrumentation; orchestration
Parts
Music technology
Music technology; music technology
Improvisation & interaction
Cooperation
Following sound and movement
Improvisation; soundscape
Reaction; taking turns
Styles & techniques
Aleatorics
Concrete music
Counterpoint
Field technique
Imitation
Minimalism
Pointillism
Polyphony
Imagination & other arts
Dance; movement
Mood; imagination
Music theatre
Narrative composition
Photo; image
Text

Tools

Classroom instruments
Computer, tablet or smartphone
Keyboard
Music paper
Music technology
Notation software
Own instrument
Own voice
Percussion instruments
Photographs; images
Recordings or sheet music
Sequencer software
Stationery for taking notes
TV, computer screen or video projector

Detailed description of tools

If there is only one classroom available, have the students use keyboards with headphones for working on their melody, harmony, bass line and second part. If there are several rooms available, students may also use their own instruments.

Remarks

Due to the nature of the assignment, the students will almost inevitably end up writing in changing time signatures. This allows for a discussion of irregular meters from the perspective of the student's needs.

For many students, this will be the first time they have ever played music in changing time signatures.

Further assignments

Assignment suitable for further study

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Other similar assignments
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Info

The Opus 1 composition pedagogy databank is a gateway to the wide world of musical composition. It offers all teachers and institutions providing music education an inspiring perspective on introductory composition teaching, including a wide range of composition assignments particularly suited to teaching at music institutes, whether in large or small groups or as individual tuition.

This package was designed and delivered by a working group of specialists in composition and composition pedagogy. The project was supported financially by the Foundation for Finnish Art Music and the Society of Finnish Composers.
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Contact information

Please contact us if you want to know more or to submit your own assignments for inclusion: opus1@composers.fi

© The authors
Design: Farm / Antti Kangassalo
Code: Call to Action
Photos: Markku Klami
English translation: Jaakko Mäntyjärvi

Skill levels

  • Introductory level
  • Medium level
  • Advanced level
  • Specialised level

The basics

  • Listening
  • Imagination & other arts
  • Musical elements
  • Musical structures and analysis
  • Music technology
  • Notation & music terminology
  • Playing an instrument & singing
  • Styles & techniques
  • Interaction & cooperation
  • Arrangements & parts
  • ALL ASSIGNMENTS